It may seem futile, but on longer renders, it will help reduce time.ĪE is not capable to export to all formats, so if you need to create an H.264 or a GIF (why though?), you can send the comp to render in Media Encoder.
#BEST RENDER SETTING AFTER EFFECTS PRO#
Pro tip: keep your caps lock on, so that AE will not refresh the preview and give instead all it’s CPU cycles to the rendering process. Once done, you can choose the part to export to and hit render. You have three options, O n, Off, and A uto.Īuto means AE will render audio only if there is audio in the comp. Take note that not all files can display an alpha channel, so if you see it missing you should change the file type to something that allows an alpha channel, like MOV and ProRes, or. To do this you must go the output module in the output video section. If your comp needs to have an alpha channel, let’s say like a lower third, where the image has a transparent background, you need to change from the normal RGB to an RGB+Alpha setting. Usual choices are ProRes 4444, ProRes 422 or Animation. In the secondary window, you get another dropdown menu. Going to format options instead you can change the codec of your file. On the dropdown menu, you get various filetypes, not only video but also audio, like mp3.
By default you get a Lossless option, that is a. You can choose your render settings, although it’s better to leave it as is unless you have a specific need to render at half size. Once in the render page, you’ve got quite a few options. You can achieve the same result by pressing Ctrl+M on windows or Cmd+M on macOS. Once you finished working the comp you can send it to the queue through the dropdown menu under Composition, and then Add to Render Queue.
#BEST RENDER SETTING AFTER EFFECTS HOW TO#
But how to get the best settings for your file? Let’s get a look at the suggestions from Motion Array Tutorials.įirst of all, we need to go to the Render Queue, but that’s an easy one. Graphics, animations, it’s a tool good for many tasks, and although the integration between elements of the Adobe Suite is getting more and more seamless with each version allowing to go round trip from one software to another, there are still some scenarios where you need to export your comps to get them in the editor. No doubt the most common software for this kind of job is After Effects. Most of the works we do nowadays require a minimum of compositing or visual effects.
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